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Ronchey, S. “An Introduction to Eustathios's Exegesis in Canonem Iambicum.” Dumbarton Oaks Papers 45 (1991): 149-58.

1991

The essay surveys the first ten years of research conducted by the author on Eustathios of Thessalonike’s Exegesis in canonem iambicum, providing a concise evaluation in English for use by the international scholarly community.  Two themes in particular are developed: the constitutio textus of Eustathios’ Exegesis and the complex historical and philological analysis of the work. The description of manuscript sources and the reconstruction of their genealogical connections translate into a graphic stemma codicum.  Investigation into the aims and content of the Exegesis brings to the fore both the problematic identity of the true author of the iambic canon – John Arklas – and the complex erudition Eustathios demonstrates in his work, densely permeated with classical (Homer, Pindar, Euripides, Sophocles, Theocritus), biblical, and patristic echoes, but also references to Byzantine cultural controversies and intellectual personalities contemporary to or slightly pre-dating him.

 

CITED BY

http://tinyurl.com/butex5g

http://tinyurl.com/c3k77z6

http://tinyurl.com/979rhbp

http://hw.oeaw.ac.at/0xc1aa500d_0x00071503

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Keywords

  • Greek Philology
  • Byzantine Philology
  • Ecdotics
  • Textual criticism
  • Constitutio textus
  • Stemma codicum
  • Apparatus fontium
  • Philological method
  • Byzantine literature
  • Eustathios of Thessalonike/ Eustathius of Thessalonica
  • Exegesis in canonem iambicum
  • Leo Allatius
  • Angelo Mai
  • Jean-Paul Migne
  • Homer
  • Aristophanes
  • Pindar
  • Euripides
  • Sophocles
  • Theocritus
  • Gregory of Nyssa
  • John Damascene / John of Damascus
  • John Arklas / John Arclas
  • Ms. Vaticanus graecus 1409
  • Ms. Alexandrinus Patriarchalis 62 (107)
  • Ms. Vindobonensis Palatinus theologicus graecus 208 Nessel (298 Lambeck)
  • Ms. Vallicellianus F 44 (graecus 94)
  • Ms. Basileensis A.VII.1
  • Monastery of San Saba
  • Cosmas of Jerusalem / Cosmas of Maiuma
  • John Merkouropoulos
  • Byzantine Iconoclasm
  • George Choeroboscus/George Choiroboskos
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